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THE CONSTANT PRINCE

Joseph Wenzel and his Art
  • 1.3.2022 – 31.3.2022

    Wien, Gartenpalais Liechtenstein, Damenappartements und Historische Bibliothek

One of the most important personalities of his time, as a collector of art, diplomat and military strategist he played a part in shaping the history of Europe and left an enduring mark on the Princely House of Liechtenstein. To mark the 250th anniversary of his death on 10 February, the Princely Collections are devoting a temporary exhibition to Prince Joseph Wenzel I von Liechtenstein (1696–1772)  at the Liechtenstein Garden Palace, which can be visited free of charge. It is the first in a new series of annual exhibitions called MARCH AT THE PALACE.

Selected works of art, letters and documents from the Princely Collections – many of which are otherwise kept in the private apartments of the Princely Family – together with major loans delineate the life of an individual who in many respects stood at the centre of the Habsburg Monarchy.

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Ausstellungseinblick mit Werken von Mollinarolo, Bellotto, Canaletto und Giambologna


Ausstellungseinblick mit einer Skulptur Mollinarolos und Gemälden von Bernardo Bellotto


Ausstellungseinblick mit der Statue des Betenden Knaben und dem Gruppenporträt von Franz Anton Palko (?) und Anton Glunck (?) im Hintergrund, eine Leihgabe des Národní památkový ústav - Schloss Feldsberg (Valtice)


Ausstellungseinblick mit einer Pferde-Handdecke von Peter Anton Dierkes und Porträts von Francesco Solimena und Hyacinthe Rigaud


Ausstellungseinblick mit Venedigansichten von Canaletto, Leihgaben des Museo Nacional Thyssen-Bornemisza, Madrid


Büste des Feldmarschall Joseph Wenzel Fürst Liechtenstein von Balthasar Ferdinand Moll, eine Leihgabe des Belvedere, Wien


Ausstellungseinblick mit Werken von Mollinarolo, Bellotto, Canaletto und Giambologna


In addition, a large number of masterpieces that were commissioned or acquired by Joseph Wenzel I in his role as a leading patron of art will be on display in Vienna once again as loans, for the first time since they were sold from the Collections in the 1950s. These include two vedutas by Giovanni Antonio Canal, called Canaletto from the series of four monumental views of Venice acquired by the prince, which show the atmosphere and life of the city in a wealth of precisely rendered detail.

Giovanni Antonio Canal, called Canaletto (1697–1768), The Grand Canal from San Vio, Venice, c. 1723/24, Museo Nacional Thyssen-Bornemisza, Madrid

Two views of the Saxon fortress of Königstein near Dresden, painted by Bernardo Bellotto at the height of his powers, capture all the facets of this imposing complex. In private ownership, they have been carefully restored and are here on public display for the first time since their sale. They will complete the two views of the summer palace in the Rossau, commissioned in Vienna by Prince Joseph Wenzel I from Bellotto when he visited the city in 1759/60 on his way to Warsaw and Dresden, and which still remain in the Princely Collections. 

Four genre pictures by Jean-Siméon Chardin, also acquired by Prince Joseph Wenzel I, allow us to immerse ourselves in the world of eighteenth-century France. They are today held in the two great national galleries of North America, the National Gallery of Canada in Ottawa and the National Gallery in Washington, and are also coming to Vienna as valuable loans.

Bernardo Bellotto (1722–1780), The Liechtenstein summer palace in Vienna, seen from the Belvedere, 1759/60

In Paris, where he also acquired many other artworks, enamels and above all books for his extensive library, Prince Joseph Wenzel I commissioned the Golden Carriage, one of the most superb examples of eighteenth-century Parisian coach-building. It was created by the French ornamental designer Nicolas Pineau for the prince’s ceremonial entry into Paris on 21 December 1738 and two days later at Versailles, and was also to serve him when he escorted Princess Isabella of Parma, the bride of the future Emperor Joseph II, from her native city to Vienna in 1760. One of the few examples of its kind to survive the French Revolution, this magnificent ceremonial coach will be one of the highlights of the exhibition, marking the start of the tour in the Sala terrena.

François Boucher (1703–1770), Nicolas Pineau (1684–1754), The Golden Carriage of Prince Joseph Wenzel I von Liechtenstein, 1738

Discover the Golden Carriage in 3D

Bernardo Bellotto (1722–1780), Pirna, seen from the right Bank of the Elbe, private collection, Vienna

Letters and documents as well as prestigious gifts attest to the very personal relationship that Joseph Wenzel, ‘most excellent citizen and true friend’, enjoyed with Empress Maria Theresa, and to the lifelong bond between the ‘constant prince’ and King Frederick the Great of Prussia. Together with portraits painted at different stages of Prince Joseph Wenzel’s life, they will tell the story of this fascinating personality.

Giambologna (1529–1608), Equestrian statuette of Ferdinando I de’ Medici (1549–1609), Modello, c. 1600

THE CONSTANT PRINCE – Joseph Wenzel and his art
 
Liechtenstein Garden Palace, Ladies’ Apartments and Historical Library

1 March 2022–31 March 2022 | daily 11 am–7 pm | free admission | exhibition in collaboration with Albertina, Vienna

During MARCH AT THE PALACE additional guided tours of the permanent exhibition on the piano nobile of the Garden Palace will be scheduled. Guided tours in German will be offered at reduced admission charges.*

RESERVING A GUIDED TOUR

* Please note that the exhibition galleries at the Liechtenstein Garden Palace and City Palace, the sale of tickets, and the events and guided tours at both palaces are operated by Liechtenstein Gruppe AG. The contract partner for your tour reservation is Liechtenstein Gruppe AG.

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772)

PRINCE JOSEPH WENZEL I VON LIECHTENSTEIN

Prince Joseph Wenzel I von Liechtenstein was one of the most able diplomats, military leaders and army reformers of his time. His reorganization of the Austrian artillery made it into the most powerful instrument of the imperial army. At the behest of the emperor he also carried out important diplomatic missions. He was of central importance to the Princely Collections for his commissioning of the first printed catalogue as well as for numerous commissions and acquisitions.

 

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March at the Palace

The temporary exhibition is the first in a new series entitled  MARCH AT THE PALACE, which will be presented annually and can be viewed free of charge. It will focus on individual princes, the history of princely collecting, new acquisitions, restoration projects and different fields within the Collections, exploring new contexts and connections. Between 1 and 31 March guided tours of the permanent exhibition in the galleries of the piano nobile will be offered at more frequent intervals and reduced admission charges. For more information click here.

Exhibited objects

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Herkules am Scheidewege

Hercules at the Crossroads

Pompeo Girolamo Batoni
1748

Herkules am Scheidewege

Hercules at the Crossroads

Pompeo Girolamo Batoni
1748

Ansicht der Mündung des Canale di Cannaregio in den Canal Grande mit dem Palazzo Labia, dem Campanile von S. Geremia und der Ponte delle Guglie

Canal View with the Ponte delle Guglie, the Palazzo Labia and the Campanile of San Geremia

Antonio Canal, called Canaletto
1734/42

Ansicht der Mündung des Canale di Cannaregio in den Canal Grande mit dem Palazzo Labia, dem Campanile von S. Geremia und der Ponte delle Guglie

Canal View with the Ponte delle Guglie, the Palazzo Labia and the Campanile of San Geremia

Antonio Canal, called Canaletto
1734/42

Pirna an der Elbe mit Schloss Sonnenstein, Marienkirche und Rathausturm, gesehen aus der Nähe des Dorfes Posta

Pirna on the River Elbe, with Schloss Sonnenstein, the Marienkirche and the spire of the Town Hall, seen from near the village of Posta

Bernardo Bellotto
1756-58

Pirna an der Elbe mit Schloss Sonnenstein, Marienkirche und Rathausturm, gesehen aus der Nähe des Dorfes Posta

Pirna on the River Elbe, with Schloss Sonnenstein, the Marienkirche and the spire of the Town Hall, seen from near the village of Posta

Bernardo Bellotto
1756-58

Der Goldene Wagen des Fürsten Joseph Wenzel I. von Liechtenstein

The Golden Carriage of Prince Joseph Wenzel von Liechtenstein

François Boucher, Nicolas Pineau
1738

Der Goldene Wagen des Fürsten Joseph Wenzel I. von Liechtenstein

The Golden Carriage of Prince Joseph Wenzel von Liechtenstein

François Boucher, Nicolas Pineau
1738

Der Tod des Decius Mus in der Schlacht

The Death of Decius Mus

Gustav Adolf Müller, Domenico Mainardi, after Sir Peter Paul Rubens
1762

Der Tod des Decius Mus in der Schlacht

The Death of Decius Mus

Gustav Adolf Müller, Domenico Mainardi, after Sir Peter Paul Rubens
1762

Der Tod des Decius Mus in der Schlacht

The Death of Decius Mus

Domenico Mainardi, after Sir Peter Paul Rubens
1733/36

Der Tod des Decius Mus in der Schlacht

The Death of Decius Mus

Domenico Mainardi, after Sir Peter Paul Rubens
1733/36

Der Tod des Decius Mus in der Schlacht

The Death of Decius Mus

Gustav Adolf Müller, after Sir Peter Paul Rubens
1762

Der Tod des Decius Mus in der Schlacht

The Death of Decius Mus

Gustav Adolf Müller, after Sir Peter Paul Rubens
1762

Fürst Joseph Wenzel I. von Liechtenstein (1696–1772)

Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Francesco Solimena
1725

Fürst Joseph Wenzel I. von Liechtenstein (1696–1772)

Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Francesco Solimena
1725

Der Einzug des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772) in Parma am 3. September 1760

The Entry of Prince Joseph Wenzel I von Liechtenstein (1696–1772) into Parma on 3 September 1760

Italy, after 1761
After 1761

Der Einzug des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772) in Parma am 3. September 1760

The Entry of Prince Joseph Wenzel I von Liechtenstein (1696–1772) into Parma on 3 September 1760

Italy, after 1761
After 1761

Venus überreicht Aeneas die Waffen des Vulkan

Venus Presenting Aeneas with Armour Forged by Vulcan

Pompeo Girolamo Batoni
1748

Venus überreicht Aeneas die Waffen des Vulkan

Venus Presenting Aeneas with Armour Forged by Vulcan

Pompeo Girolamo Batoni
1748

Das Urteil des Paris

The Judgement of Paris

Pierre Courteys
2nd half 16th c.

Das Urteil des Paris

The Judgement of Paris

Pierre Courteys
2nd half 16th c.

Der Raub der Helena

The Rape of Helen

Pierre Courteys
2nd half 16th c.

Der Raub der Helena

The Rape of Helen

Pierre Courteys
2nd half 16th c.

Der Kampf vor den Mauern Trojas

Battle before the Walls of Troy

Pierre Courteys
2nd half 16th c.

Der Kampf vor den Mauern Trojas

Battle before the Walls of Troy

Pierre Courteys
2nd half 16th c.

Kampfszene

Battle Scene

Pierre Courteys
2nd half 16th c.

Kampfszene

Battle Scene

Pierre Courteys
2nd half 16th c.

Das Trojanische Pferd wird in die Stadt gezogen

The Trojan Horse being Hauled into the City

Pierre Courteys
2nd half 16th c.

Das Trojanische Pferd wird in die Stadt gezogen

The Trojan Horse being Hauled into the City

Pierre Courteys
2nd half 16th c.

Die Einnahme Trojas

The Fall of Troy

Pierre Courteys
2nd half 16th c.

Die Einnahme Trojas

The Fall of Troy

Pierre Courteys
2nd half 16th c.

Die Flucht des Aeneas aus dem brennenden Troja

The Flight of Aeneas from Troy

Pierre Courteys
2nd half 16th c.

Die Flucht des Aeneas aus dem brennenden Troja

The Flight of Aeneas from Troy

Pierre Courteys
2nd half 16th c.

Betender Knabe (Antinous)

Praying Boy (Antinoüs)

Anonymous Master
1764

Betender Knabe (Antinous)

Praying Boy (Antinoüs)

Anonymous Master
1764

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772) im Alter

Portrait of Prince Joseph Wenzel I von Liechtenstein (1696–1772) in Old Age

Vienna, around 1770
around 1770

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772) im Alter

Portrait of Prince Joseph Wenzel I von Liechtenstein (1696–1772) in Old Age

Vienna, around 1770
around 1770

Porträt des Albert (1614–1657) und des Nikolaus (1618–1655) Rubens

The sons of Peter Paul Rubens, Albert and Nicholas

Domenico Mainardi, after Sir Peter Paul Rubens
1733/36

Porträt des Albert (1614–1657) und des Nikolaus (1618–1655) Rubens

The sons of Peter Paul Rubens, Albert and Nicholas

Domenico Mainardi, after Sir Peter Paul Rubens
1733/36

Kerzenleuchter aus dem Berliner Speise- und Dessertservice des Fürsten Joseph Wenzel I.

Candlesticks from the Berlin Dining and Dessert Service of Prince Joseph Wenzel I

Royal Porcelain Manufactory Berlin
1765/66

Kerzenleuchter aus dem Berliner Speise- und Dessertservice des Fürsten Joseph Wenzel I.

Candlesticks from the Berlin Dining and Dessert Service of Prince Joseph Wenzel I

Royal Porcelain Manufactory Berlin
1765/66

Büste des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772)

Bust of Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Franz Xaver Messerschmidt
1773/74

Büste des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772)

Bust of Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Franz Xaver Messerschmidt
1773/74

Castrum Doloris für Fürst Joseph Wenzel I. von Liechtenstein (1696–1772)

Castrum Doloris for Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Joseph Peterfeind
after 1772

Castrum Doloris für Fürst Joseph Wenzel I. von Liechtenstein (1696–1772)

Castrum Doloris for Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Joseph Peterfeind
after 1772

Pferde-Handdecke mit dem Fürstlich liechtensteinischen Wappen

Horse cover with the coat of arms of the Princely House of Liechtenstein

Peter Anton Dierkes
around 1760

Pferde-Handdecke mit dem Fürstlich liechtensteinischen Wappen

Horse cover with the coat of arms of the Princely House of Liechtenstein

Peter Anton Dierkes
around 1760

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772)

Portrait of Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Perimeter Martin van Meytens
around 1750

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein (1696–1772)

Portrait of Prince Joseph Wenzel I von Liechtenstein (1696–1772)

Perimeter Martin van Meytens
around 1750

LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna

Fürstliche Sammlungen Art Service GmbH
Fürstengasse 1
1090 Vienna, Austria

phone: +43 1 319 13 91–0
fax: +43 1 319 13 91–820
[email protected]

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