
Francesco Solimena (1657–1747), Prince Joseph Wenzel I von Liechtenstein (1696–1772), 1725
THE CONSTANT PRINCE
Joseph Wenzel and his Art
-
1.3.2022 – 31.3.2022
Vienna, Liechtenstein Garden Palace, Ladies' Apartments and Historical Library
One of the most important personalities of his time, as a collector of art, diplomat and military strategist he played a part in shaping the history of Europe and left an enduring mark on the Princely House of Liechtenstein. To mark the 250th anniversary of his death on 10 February, the Princely Collections are devoting a temporary exhibition to Prince Joseph Wenzel I von Liechtenstein (1696–1772), which can be visited free of charge. It is the first in a new series of annual special exhibitions at the Liechtenstein Garden Palace.
Selected works of art, letters and documents from the Princely Collections – many of which are otherwise kept in the private apartments of the Princely Family – together with major loans delineate the life of an individual who in many respects stood at the centre of the Habsburg Monarchy.








View of the exhibition with works by Mollinarolo, Bellotto, Canaletto and Giambologna
View of the exhibition with a sculpture by Mollinarolo and paintings by Bernardo Bellotto
View of the exhibition with the statue of the “The Praying Boy” and the group by Franz Anton Palko (?) and Anton Glunck (?) in the background, loaned by Národní památkový ústav – Schloss Feldsberg (Valtice)
View of the exhibition with a horse trapping by Peter Anton Dierkes and portraits by Francesco Solimena and Hyacinthe Rigaud
View of the exhibition with views of Venice by Canaletto, loaned by the Museo Nacional Thyssen-Bornemisza, Madrid
Bust of Field Marshal Prince Joseph Wenzel von Liechtenstein by Balthasar Ferdinand Moll, loaned by the Belvedere, Vienna
View of the exhibition with works by Mollinarolo, Bellotto, Canaletto and Giambologna
In addition, a large number of masterpieces that were commissioned or acquired by Joseph Wenzel I in his role as a leading patron of art will be on display in Vienna once again as loans, for the first time since they were sold from the Collections in the 1950s. These include two vedutas by Giovanni Antonio Canal, called Canaletto from the series of four monumental views of Venice acquired by the prince, which show the atmosphere and life of the city in a wealth of precisely rendered detail.






View of the Grand Canal San Vio
c. 1723/24
Giovanni Antonio Canal, called Canaletto (Venice 1697–1768 Venice)
© Museo Nacional Thyssen-Bornemisza, Madrid
The Piazza San Marco in Venice
c. 1723/24
Giovanni Antonio Canal, called Canaletto (Venice 1697–1768 Venice)
© Museo Nacional Thyssen-Bornemisza, Madrid
Princess Maria Isabella of Parma (1741–1763), wife of Joseph II
1758
Jean Marc Nattier the Younger (Paris 1685–1766 Paris)
© KHM-Museumsverband, Wien
The Kitchen Maid
1738
Jean Siméon Chardin (1699–1779)
© Washington, National Gallery of Art, Samuel H. Kress Collection
The Attentive Nurse
1738
Jean Siméon Chardin (1699–1779)
© Washington, National Gallery of Art, Samuel H. Kress Collection
Two views of the Saxon fortress of Königstein near Dresden, painted by Bernardo Bellotto at the height of his powers, capture all the facets of this imposing complex. In private ownership, they have been carefully restored and are here on public display for the first time since their sale. They will complete the two views of the summer palace in the Rossau, commissioned in Vienna by Prince Joseph Wenzel I from Bellotto when he visited the city in 1759/60 on his way to Warsaw and Dresden, and which still remain in the Princely Collections.
Four genre pictures by Jean-Siméon Chardin, also acquired by Prince Joseph Wenzel I, allow us to immerse ourselves in the world of eighteenth-century France. They are today held in the two great national galleries of North America, the National Gallery of Canada in Ottawa and the National Gallery in Washington, and are also coming to Vienna as valuable loans.





Pirna, seen from the right Bank of the Elbe
1756/58
Bernardo Bellotto (Venice 1722–1780 Warsaw)
© Private Collection, Vienna
Königstein Fortress in Saxony
1756/58
Bernardo Bellotto (Venice 1722–1780 Warsaw)
© Private Collection, Vienna
Field Marshal Josef Wenzel Prince Liechtenstein
1757–1758
Balthasar Ferdinand Moll (Innsbruck 1717–1785 Vienna)
© Belvedere, Vienna
Portrait of Emperor Joseph II and Maria Josepha of Bavaria in a circle of members of the Court, including Prince Joseph Wenzel I von Liechtenstein
1765
Franz Anton Palko (Wrocław 1717–1766 Vienna)?; Anton Glunck (1728–1799)?
© Národní památkový ústav - Feldsberg Castle (Valtice)
In Paris, where he also acquired many other artworks, enamels and above all books for his extensive library, Prince Joseph Wenzel I commissioned the Golden Carriage, one of the most superb examples of eighteenth-century Parisian coach-building. It was created by the French ornamental designer Nicolas Pineau for the prince’s ceremonial entry into Paris on 21 December 1738 and two days later at Versailles, and was also to serve him when he escorted Princess Isabella of Parma, the bride of the future Emperor Joseph II, from her native city to Vienna in 1760. One of the few examples of its kind to survive the French Revolution, this magnificent ceremonial coach will be one of the highlights of the exhibition, marking the start of the tour in the Sala terrena.
Discover the Golden Carriage in 3D

Letters and documents as well as prestigious gifts attest to the very personal relationship that Joseph Wenzel, ‘most excellent citizen and true friend’, enjoyed with Empress Maria Theresa, and to the lifelong bond between the ‘constant prince’ and King Frederick the Great of Prussia. Together with portraits painted at different stages of Prince Joseph Wenzel’s life, they will tell the story of this fascinating personality.

The catalogue in German can be purchased on the Brandstätter Publishing website as well as at the Hofkellerei shop (open Tuesday to Saturday 12 am–7 pm).
The catalogue accompanying the 2022 exhibition "CAST FOR ETERNITY. The Bronzes of the Princes of Liechtenstein" is also available.
THE CONSTANT PRINCE. Joseph Wenzel I von Liechtenstein and his Art: 38,– EUR
CAST FOR ETERNITY. The Bronzes of the Princes of Liechtenstein: 38,– EUR
BOOK SET – both catalogs in a set of 2: 50,– EUR
The catalogues are available only in German.
WEBSITE BRANDSTÄTTER PUBLISHING
In 2024 a catalogue accompanying the exhibition "HERCULES OF THE ARTS. Johann Adam Andreas I. and Vienna around 1700" was published and can be purchased on the Hirmer Publishers website and bookstores as well as at the Hofkellerei shop (open Tuesday to Saturday 12 am–7 pm).
38,– EUR (D) / 39,10 EUR (A)
March at the Palace
The temporary exhibition is the first in a new series entitled MARCH AT THE PALACE, which will be presented annually and can be viewed free of charge. It will focus on individual princes, the history of princely collecting, new acquisitions, restoration projects and different fields within the Collections, exploring new contexts and connections. Between 1 and 31 March guided tours of the permanent exhibition in the galleries of the piano nobile will be offered at more frequent intervals and reduced admission charges. For more information click here.