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RUBENS AND OTHER MASTERS. Paintings, Sculptures and Objects of the Prince of Liechtenstein

Special Exhibition in Korea 2015/16
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  • 11.12.2015 – 10.4.2016

    Seoul, National Museum of Korea

After touring a number of exhibition venues in the Far East, including Tokyo, Kyoto, Kochi, Beijing, Shanghai, Singapore and Taipei, the Princely Collections are now visiting Korea for the first time with a large-scale exhibition that is being presented at its foremost museum, the National Museum of Korea in Seoul.

National Museum of Korea, Seoul

One hundred and twenty-five selected works drawn from various genres, including paintings, prints and engravings, sculptures, furniture, tapestries and Kunstkammer objects, illustrate the variety and range of the collections owned by the Reigning Prince of Liechtenstein, Hans-Adam II, giving people in Korea first-hand access to artists and epochs of European art with works that have never before been shown in this country, including numerous representatives of the Flemish school. The main focus is on works by Pieter Brueghel the Younger, Jan Brueghel the Elder, Anthony van Dyck and Peter Paul Rubens. These are displayed alongside paintings by contemporaneous Dutch and Italian Baroque artists, allowing visitors the opportunity to directly compare the divergent styles from various perspectives.

National Museum of Korea, View of the gallery with a sculpture of Bacchus and paintings by Peter Paul Rubens

The exhibition highlights the works of Peter Paul Rubens, the ‘painter of princes and the prince of painters’, who exerted an enduring fascination on the Liechtenstein family from their first acquisition of a work by this artist, the “Ascension”, purchased before 1643. With eighteen autograph works by this exceptional artist, complemented by paintings by his pupils, four engravings and two tapestries based on his works, his oeuvre is particularly richly represented. The “Portrait of Clara Serena Rubens”, which shows the artist’s daughter, is one of his most intimate and touching works. With the “Decius Mus Cycle”, represented here by selected paintings, tapestries and engravings, Prince Johann Adam Andreas I von Liechtenstein added another highlight to the collection, one which shows Rubens from a very different angle, as the painter of mature, dramatic Baroque compositions that constitute landmarks in the history of European art. Nevertheless, these works should not be allowed to overshadow paintings such as the “Lamentation of Christ” or the “Discovery of the Infant Erichthonius”, in which the dynamism of the Baroque in Rubens’s painting is equally evident.

Clustered around this nucleus of Rubens holdings is a selection of earlier and later masters, ranging from Giuseppe Arcimboldo’s “Earth”, a work once owned by the Habsburg emperor Rudolf II, to Hans Makart’s impressive painting of the “Death of Cleopatra”, from Murillo’s intimate depiction of the “Virgin and Child” to Canaletto’s realistic renderings of Venetian vedutas. Baroque joie de vivre is conveyed in the meticulously detailed paintings on copper by the South Tyrolean artist Johann Georg Platzer, while the atmosphere and handling of light in Biedermeier art is embodied in the picture entitled “Restored to New Life”, a work by Ferdinand Georg Waldmüller, arguably the greatest master of Vienna Biedermeier painting.

National Museum of Korea, "Bust of Maria Annunciata" by Domenico Guidi and "Madonna and Child" by Bartolomé Esteban Murillo

The final selection of masterpieces represents highlights of the Vienna Biedermeier era, giving an idea of the rich range of treasures that have been on display at the Liechtenstein city palace since its opening in the spring of 2013. To single out only one work, the “Girl with a Straw Hat” by Friedrich von Amerling, an icon of Vienna Biedermeier painting that entered holdings of the Princely Collections only a few years ago, may stand for many.

The exhibition in Seoul is completed by important sculptural works from the Princely Collections. Like the collection itself, the Kunstkammer of the Liechtenstein family goes back to the time after 1600, when Prince Karl I, as the palatine of Emperor Rudolf II at Prague Castle, rivalled his imperial employer in the collecting of such objects. At a young age Karl had developed a foible for lapidary work, and after Rudolf’s death in 1612 he was able to exploit the emperor’s court workshops at Prague for his own passion for collecting. He commissioned numerous small pictures of coloured natural stones (‘commessi di pietre dure’) some of which were subsequently made into precious objects around 1620. Dating from the same period are the pietra dura plaques that were incorporated around twenty-five years later into Melchior Baumgartner’s cabinet, an object that has also been acquired in recent years for the Collections.

National Museum of Korea, "Venus Medici" by Massimiliano Soldani-Benzi in the foreground, in the background two tapestries from the “Decius Mus cycle"

The interest in precious objects continued with Karl’s son, Prince Karl Eusebius I, who commissioned the carving of the “Maienkrug” bearing his coat of arms from a huge block of smoky topaz that had been discovered in Bohemia. Karl Eusebius’s son, Prince Johann Adam Andreas I von Liechtenstein, subsequently acquired valuable objects made of ivory that harmonized perfectly with the existing holdings. The Collections possess a whole series of battle scenes (battles of antiquity and from the Turkish Wars) by the virtuoso craftsman Ignaz Elhafen, but undoubtedly the most important piece on display here is the “Deckelhumpen” created by Matthias Rauchmiller, one of the most precious ivory objects ever created in Europe and acquired by Johann Adam Andreas I von Liechtenstein in 1707. The interest of the Liechtenstein family for such objects continues to this day, as attested by the acquisitions made by the current Prince Regnant, Hans-Adam II von und zu Liechtenstein, in this field over the past ten years. Here mention should also be made of the extensive collection of bronzes, which has no equal anywhere in the world, an outstanding example of which is represented by the small figure by Andrea Mantegna of “Marsyas”/”St Sebastian”. Further precious objects in the Princely Collections serve to document the rise of the silversmith’s art in Augsburg, one of the major European centres, illustrated by absolute masterpieces from all its stages of development. Precious furniture with Boulle marquetry, complex mechanisms or sophisticated details together with the finest Far Eastern porcelain mounted at a later date by the Viennese silversmith Ignaz Joseph Würth, attest to the tastes and passions for collecting of one of the most important noble families in Europe.

Exhibited objects

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Porträt der Clara Serena Rubens, der Tochter des Künstlers (1611–1623)

Portrait of Clara Serena Rubens, the Artist's Daughter (1611–1623)

Sir Peter Paul Rubens
c. 1616

Porträt der Clara Serena Rubens, der Tochter des Künstlers (1611–1623)

Portrait of Clara Serena Rubens, the Artist's Daughter (1611–1623)

Sir Peter Paul Rubens
c. 1616

Apollo und Cupido

Apollo and Cupid

François Duquesnoy
c. 1630/40

Apollo und Cupido

Apollo and Cupid

François Duquesnoy
c. 1630/40

Ein Paar Deckelvasen in europäischer Ormoulu-Montierung als Potpourrivasen

A pair of ccovered vases mounted as potpourri vases

Arita, Edo period (1603-1868), 1670/90, mount: 1775/85 Mounting: Ignaz Joseph Würth, attributed to
Edo period (1603-1868), 1670/90, mounts: 1775/85

Ein Paar Deckelvasen in europäischer Ormoulu-Montierung als Potpourrivasen

A pair of ccovered vases mounted as potpourri vases

Arita, Edo period (1603-1868), 1670/90, mount: 1775/85 Mounting: Ignaz Joseph Würth, attributed to
Edo period (1603-1868), 1670/90, mounts: 1775/85

Prunkhumpen

Showpiece tankard

Matthias Rauchmiller
1676

Prunkhumpen

Showpiece tankard

Matthias Rauchmiller
1676

Die Auffindung des Erichthoniusknaben

The Discovery of the Infant Erichthonius

Sir Peter Paul Rubens
c. 1616

Die Auffindung des Erichthoniusknaben

The Discovery of the Infant Erichthonius

Sir Peter Paul Rubens
c. 1616

Venus Medici

Medici Venus

Massimiliano Soldani-Benzi, according to antiquity
c. 1699-1702

Venus Medici

Medici Venus

Massimiliano Soldani-Benzi, according to antiquity
c. 1699-1702

Die Beweinung Christi

The Lamentation

Sir Peter Paul Rubens
c. 1612

Die Beweinung Christi

The Lamentation

Sir Peter Paul Rubens
c. 1612

Marsyas oder heiliger Sebastian

Marsyas or St Sebastian

Andrea Mantegna
c. 1500

Marsyas oder heiliger Sebastian

Marsyas or St Sebastian

Andrea Mantegna
c. 1500

Landschaft mit dem jungen Tobias

Landscape with the Young Tobias

Jan Brueghel the Elder
1598

Landschaft mit dem jungen Tobias

Landscape with the Young Tobias

Jan Brueghel the Elder
1598

Blumenbouquet, sogenannter Liechtensteiner Strauss

A Bouquet of Flowers, the so-called Liechtenstein Bouquet

Roelant Savery
1612

Blumenbouquet, sogenannter Liechtensteiner Strauss

A Bouquet of Flowers, the so-called Liechtenstein Bouquet

Roelant Savery
1612

Kopfstudie eines bärtigen Mannes

Head study of a bearded man

Sir Peter Paul Rubens
c. 1612

Kopfstudie eines bärtigen Mannes

Head study of a bearded man

Sir Peter Paul Rubens
c. 1612

Porträt des Jan Vermoelen (1589–1656)

Portrait of Jan Vermoelen (1589–1656)

Sir Peter Paul Rubens
1616

Porträt des Jan Vermoelen (1589–1656)

Portrait of Jan Vermoelen (1589–1656)

Sir Peter Paul Rubens
1616

Decius Mus deutet seinen Offizieren den Traum

Decius Mus Relating his Dream

Jan Raes I Manufactory, Sir Peter Paul Rubens
c. 1630

Decius Mus deutet seinen Offizieren den Traum

Decius Mus Relating his Dream

Jan Raes I Manufactory, Sir Peter Paul Rubens
c. 1630

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein im Ornat des Ordens vom Goldenen Vlies (1696–1772)

Portrait of Prince Joseph Wenzel I von Liechtenstein in the Full Regalia of the Order of the Golden Fleece (1696–1772)

Hyacinthe Rigaud
1740

Porträt des Fürsten Joseph Wenzel I. von Liechtenstein im Ornat des Ordens vom Goldenen Vlies (1696–1772)

Portrait of Prince Joseph Wenzel I von Liechtenstein in the Full Regalia of the Order of the Golden Fleece (1696–1772)

Hyacinthe Rigaud
1740

Allegorie des Lasters

Allegory of Vice

Filippo Parodi
c. 1684/94

Allegorie des Lasters

Allegory of Vice

Filippo Parodi
c. 1684/94

Der heilige Eustachius

St Eustace

Lucas Cranach the Elder
1515/20

Der heilige Eustachius

St Eustace

Lucas Cranach the Elder
1515/20

Raub einer Sabinerin (dreifigurige Raptusgruppe)

Rape of a Sabine Woman (three-figure raptus group)

Antonio Susini, attributed to Giambologna
c. 1600 (model 1582)

Raub einer Sabinerin (dreifigurige Raptusgruppe)

Rape of a Sabine Woman (three-figure raptus group)

Antonio Susini, attributed to Giambologna
c. 1600 (model 1582)

Heinrich IV. ergreift die Gelegenheit Frieden zu schliessen, auch Occasio genannt

Henry IV Seizing the Opportunity to Conclude Peace, also known as Occasio

Sir Peter Paul Rubens
c. 1628

Heinrich IV. ergreift die Gelegenheit Frieden zu schliessen, auch Occasio genannt

Henry IV Seizing the Opportunity to Conclude Peace, also known as Occasio

Sir Peter Paul Rubens
c. 1628

Bacchus

Bacchus

Massimiliano Soldani-Benzi, to Michelangelo Buonarroti
1695-1703

Bacchus

Bacchus

Massimiliano Soldani-Benzi, to Michelangelo Buonarroti
1695-1703

Kabinettschrank

Cabinet on stand

Melchior Baumgartner
Commessi di Pietre dure: 1625, cabinet: c. 1650

Kabinettschrank

Cabinet on stand

Melchior Baumgartner
Commessi di Pietre dure: 1625, cabinet: c. 1650

Der Geigenspieler

The Violin Player

Gerard Dou
1653

Der Geigenspieler

The Violin Player

Gerard Dou
1653

Die heilige Anna schmückt Maria mit Blumen

St Anne Adorning the Virgin with Flowers

Sir Peter Paul Rubens
c. 1609/10

Die heilige Anna schmückt Maria mit Blumen

St Anne Adorning the Virgin with Flowers

Sir Peter Paul Rubens
c. 1609/10

Der Liebesgarten

The Garden of Love

Christoffel Jegher, to Sir Peter Paul Rubens
c. 1632-1634

Der Liebesgarten

The Garden of Love

Christoffel Jegher, to Sir Peter Paul Rubens
c. 1632-1634

Der Sieg Heinrichs IV. bei Coutras

The Victory of Henry IV at Coutras

Sir Peter Paul Rubens
c. 1628

Der Sieg Heinrichs IV. bei Coutras

The Victory of Henry IV at Coutras

Sir Peter Paul Rubens
c. 1628

Die Bekehrung des Saulus zum Paulus

The Conversion of St Paul

Sir Peter Paul Rubens
c. 1601/02

Die Bekehrung des Saulus zum Paulus

The Conversion of St Paul

Sir Peter Paul Rubens
c. 1601/02

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LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna

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