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The Genius of the Arts Unveiling the Nature as Isis-Arthemis Ephesia   Leopold Kiesling (1770–1827)

The Genius of the Arts Unveiling the Nature as Isis-Arthemis Ephesia

Leopold Kiesling (1770–1827)

1809

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Der Genius der schönen Künste, die Natur in ihren Schöpfungen entschleiernd
Material/technique
Marble, Inlay in gilt bronze
Measurements
140.0 cm
Acquisition
reacquired in 2016 by Prince Hans-Adam II von und zu Liechtenstein
Currently exhibited
City Palace, permanent presentation
Artists/makers/authors
Leopold Kiesling
Detailed information
Inventory number
SK 1628
Provenance
in the artist's possession in Rome; transported from Rome to Vienna in 1810; in the artist's possession in Vienna in 1811, documented by Joseph von Hormayr; in the Belvedere, Vienna, until 1816; documented in the collection of Count Ferdinand Pálffy von Erdöd in 1821; in the 1870s in the collection of Prince Johann II von und zu Liechtenstein; from him to the antiquarian Cubasch; after 1878/80 Gustav Fisch; before 1919 Max Schmidt, then in the possession of Schmidt's heirs; from 1992 European collection; Galerie Carlo Virgilio & C srl, Rome; acquired in 2016 by Prince Hans-Adam II von und zu Liechtenstein. von und zu Liechtenstein
Iconography
The Arts
Literature
Stefano Grandesso, Anna Frasca-Rath, Leopold Kiesling e la natura rivelata dalle arti, Galleria Carlo Virgilio (Hg.), Roma 2015

Ingeborg Schemper-Sparholz, Die Mars-Venus-Gruppe von Leopold Kiesling – Friedensallegorie oder künstlerisches Bekenntnis?, in: Ausst.-Kat.Leopold Kiesling. Der Mythos von Mars und Venus mit Amor , Stella Rollig, Sabine Grabner (Hg.), Oberes Belvedere, Wien 15.2.2019–12.5.2019, erschienen Wien 2019, S. 29–43, S. 39, S. 40, Abb. 8

Ausst.-Kat. Canova. Thorvaldsen. La nascita della scultura moderna, Stefano Grandesso, Fernando Mazzocca (Hg.), Gallerie d´Italia - Piazza Scala, Milano 25.10.2019–15.3.2020, erschienen Milano 2019, Abb. S. 198, S. 350–351, Kat.-Nr. VII.1
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