Relief with inscription, floral decoration and eagles
Antonio Lombardo (1458–1516)
1508
this site may contain automatically translated text- Material/technique
- marble
- Measurements
- 36 × 106 × 8 cm max. depth in the centre
- Acquisition
- acquired in 1887 by Prince Johann II von Liechtenstein
- Currently exhibited
- Garden Palace, permanent presentation
- Artists/makers/authors
- Antonio Lombardo
- Inventory number
- SK 146
- Signature/inscriptions content only available in German
- Bez. auf der Inschrifttafel: ET QVIESCENTI / AGENDVM EST / ET AGENTI QVIE / SCENDVM ALF.D.III
- Provenance
- acquired in 1887 by Prince Johann II von Liechtenstein
- Place of origin
- Ferrara
- Iconography
- Eagle
P. Paoletti di Osvaldo, L'architettura e la scultura del rinascimento in Venezia, Bd. 1, Bd. Bd. 1, Venedig 1893, S. 211, Abb. 125
G. de Nicola, Notes on the Museo Nazionale of Florence: IV, in: The Burlington Magazine 31 1917, S. 174
John Pope-Hennessy, Catalogue of Italian Sculpture in the Victoria and Albert Museum, Bd. 1, Bd. Bd. 1, London 1964, S. 356
Lucio Anneo Seneca, Epistulae morales ad Lucilium, 2 Bde., Oxford 1965
John Pope-Hennessy, Italian Renaissance Sculpture, 2. Aufl., London 1971, S. 343
C. Hope, The "Camerini d'alabastro" of Alfonso d'Este, in: The Burlington Magazine CXIII-CXIV 1971, S. 641-650 u. 712-721
J. Biscontin, Une Frise de marbre d'Antonio Lombardo au musée du Louvre, in: La revue du Louvre et des musées de France 1975, S. 234-236
D. Goodgal, The Camerino of Alfonso I. d'Este, in: Art History I 1978, S. 162-190
Ausst.-Kat. Liechtenstein. The Princely Collections, Bradford D. Kelleher (Hg.), The Metropolitan Museum of Art, New York 26.10.1985–1.5.1986, erschienen New York 1985, S. 208-209, Kat. 132
Phyllis Pray Bober, Ruth Rubinstein, Renaissance artists and antique sculpture. A Handbook of sources, London 1986
Beverly Louise Brown, On the Camerino, in: Görel Cavalli-Björkman (Hg.), Bacchanals by Titian and Rubens. Papers Given at a Symposium in Nationalmuseum, Stockholm, March 18–19, 1987, Stockholm 1987, S. 43–56, S. 43–56
Charles Hope, The Camerino d'alabastro a reconsideration of evidence, in Bacchanals by Titian and Rubens, in: Görel Cavalli-Björkman (Hg.), Bacchanals by Titian and Rubens. Papers Given at a Symposium in Nationalmuseum, Stockholm, March 18–19, 1987, Stockholm 1987, S. 25–42, S. 25–44
Wendy Stedman Sheard, Antonio Lombardo's reliefs for Alfonso d'Este's studio di marmi. Their significance and impact on Titian, in: Joseph Manca (Hg.), Titian 500. Proceedings of the Symposium "Titian 500", Sponsored by the Center for Advanced Study in the Visual Arts, National Gallery of Art, 25 - 27 October 1990, Hanover–London 1993, S. 315–357 , S. 315–357
Valeska von Rosen, "Diletto dei sensi" und "diletto dell'intelletto". Bellinis und Tizians "Bacchanalien" für Alfonso d'Este in ihrem Rezeptionskontext, in: Städel-Jahrbuch, N.F. Bd. 18, Bd. Bd. 18, Stuttgart 2001, S. 86, Abb. 5
James David Draper, Ausst.-Kat. Il Camerino di alabastro. Antonio Lombardo e la scultura all' antica, Mailand 2004, S. 179, Abb. 179, Kat. 20
Ausst.-Kat. Palazzo Rubens. The Master as Architect, Barbara Uppenkamp, Ben van Beneden, Piet Lombaerde, erschienen Antwerpen 2011, S. 93/161, Abb. 93/161, Kat. 117/21
Ausst.-Kat. Splendori delle corti italiane. Gli Este. Rinascimento e Barocco a Ferrara e Modena, Stefano Casciu, Marcello Toffanello (Hg.), Reggia di Venaria, Venaria Reale 8.3.2014–6.7.2014, erschienen Modena 2014, S. 114–115, Kat.-Nr. 11
G. de Nicola, Notes on the Museo Nazionale of Florence: IV, in: The Burlington Magazine 31 1917, S. 174
John Pope-Hennessy, Catalogue of Italian Sculpture in the Victoria and Albert Museum, Bd. 1, Bd. Bd. 1, London 1964, S. 356
Lucio Anneo Seneca, Epistulae morales ad Lucilium, 2 Bde., Oxford 1965
John Pope-Hennessy, Italian Renaissance Sculpture, 2. Aufl., London 1971, S. 343
C. Hope, The "Camerini d'alabastro" of Alfonso d'Este, in: The Burlington Magazine CXIII-CXIV 1971, S. 641-650 u. 712-721
J. Biscontin, Une Frise de marbre d'Antonio Lombardo au musée du Louvre, in: La revue du Louvre et des musées de France 1975, S. 234-236
D. Goodgal, The Camerino of Alfonso I. d'Este, in: Art History I 1978, S. 162-190
Ausst.-Kat. Liechtenstein. The Princely Collections, Bradford D. Kelleher (Hg.), The Metropolitan Museum of Art, New York 26.10.1985–1.5.1986, erschienen New York 1985, S. 208-209, Kat. 132
Phyllis Pray Bober, Ruth Rubinstein, Renaissance artists and antique sculpture. A Handbook of sources, London 1986
Beverly Louise Brown, On the Camerino, in: Görel Cavalli-Björkman (Hg.), Bacchanals by Titian and Rubens. Papers Given at a Symposium in Nationalmuseum, Stockholm, March 18–19, 1987, Stockholm 1987, S. 43–56, S. 43–56
Charles Hope, The Camerino d'alabastro a reconsideration of evidence, in Bacchanals by Titian and Rubens, in: Görel Cavalli-Björkman (Hg.), Bacchanals by Titian and Rubens. Papers Given at a Symposium in Nationalmuseum, Stockholm, March 18–19, 1987, Stockholm 1987, S. 25–42, S. 25–44
Wendy Stedman Sheard, Antonio Lombardo's reliefs for Alfonso d'Este's studio di marmi. Their significance and impact on Titian, in: Joseph Manca (Hg.), Titian 500. Proceedings of the Symposium "Titian 500", Sponsored by the Center for Advanced Study in the Visual Arts, National Gallery of Art, 25 - 27 October 1990, Hanover–London 1993, S. 315–357 , S. 315–357
Valeska von Rosen, "Diletto dei sensi" und "diletto dell'intelletto". Bellinis und Tizians "Bacchanalien" für Alfonso d'Este in ihrem Rezeptionskontext, in: Städel-Jahrbuch, N.F. Bd. 18, Bd. Bd. 18, Stuttgart 2001, S. 86, Abb. 5
James David Draper, Ausst.-Kat. Il Camerino di alabastro. Antonio Lombardo e la scultura all' antica, Mailand 2004, S. 179, Abb. 179, Kat. 20
Ausst.-Kat. Palazzo Rubens. The Master as Architect, Barbara Uppenkamp, Ben van Beneden, Piet Lombaerde, erschienen Antwerpen 2011, S. 93/161, Abb. 93/161, Kat. 117/21
Ausst.-Kat. Splendori delle corti italiane. Gli Este. Rinascimento e Barocco a Ferrara e Modena, Stefano Casciu, Marcello Toffanello (Hg.), Reggia di Venaria, Venaria Reale 8.3.2014–6.7.2014, erschienen Modena 2014, S. 114–115, Kat.-Nr. 11
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