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Madonna with Child and St Anthony   Alessandro Bonvicino da Brescia, called Moretto (1498–1554)

Madonna with Child and St Anthony

Alessandro Bonvicino da Brescia, called Moretto (1498–1554)

1540/45

this site may contain automatically translated text
Maria mit dem Kind und dem heiligen Antonius
Material/technique
oil on panel
Measurements
46 × 58 cm
Acquisition
presumably acquired by Prince Alois I von Liechtenstein
Artists/makers/authors
Alessandro Bonvicino da Brescia, called Moretto
Detailed information
Inventory number
GE 13
Provenance
presumably acquired by Prince Alois I von Liechtenstein
Iconography
Mary with child (Madonna),  the hermit Antony Abbot (Antonius Abbas) of Egypt
Literature
Johann Dallinger von Dalling d. Ä., Catalogus, Manuskript verfasst 1805–1807, Kat.-Nr. 111

Jacob von Falke, Katalog der fürstlich Liechtensteinischen Bilder-Galerie im Gartenpalais der Rossau zu Wien, Wien 1873 , S. 5, Kat. 34

Jacob von Falke, Katalog der fürstlich Liechtensteinischen Bilder-Galerie im Gartenpalais der Rossau zu Wien, Wien 1885, S. 3, als Moretto da Brescia, Kat. 13

G. Gozzoli, Buonvicino detto il Moretto, Brescia 1898, S. 39

P. Da Ponte e A. Canossi, Ricordo del sommo pittore bresciano Alessandro Bonvicino soprannominato il Moretto, Brescia 1898, S. 112

P. Da Ponte, L'opera del Moretto, Brescia 1898, S. 105

P. Molmenti, Il Moretto da Brescia, Florenz 1898, S. 88

U. Papa, Il genio e le opere di Alessandro Bonvicino (Il Moretto), Bergamo 1898, S. 35

Ricordo per le onoranze tributate, dall'Ateneo di Brescia nel IV centenario natalizio del pittore Bonvicino-Moretto (3-11 settembre 1898), Brescia 1899, S. 87

U. Fleres, La pinacoteca dell'Ateneo in Brescia, in: Le gallerie nazionale italiane, 4 1899, S. 266

B. Berenson, North Italian painters of the Renaissance, New York-London 1907, S. 266

The Masterpieces of Moretto da Brescia, (c. 1498 - c. 1554), London-Glasgow 1909, S. 45

B. Berenson, North Italian painters of the Renaissance, New York-London 1927, S. 266

A. Venturi, Storia dell'arte italiana, Bd. IX, 4, La pittura del Cinquecento, Bd. Bd. IX, Mailand 1929, S. 204

Adolf Kronfeld, Führer durch die Fürstlich Liechtensteinsche Gemäldegalerie in Wien, 3. Aufl., Wien 1931, S. 5, Kat. 13

B. Berenson, Italian pictures of the Renaissance. A list of the principal artists and their works with an index of places, Oxford 1932, S. 376

B. Berenson, Pitture italiane del Rinascimento. Catalogo dei principali artisti e delle loro opere con un indice dei luoghi, Mailand 1936, S. 323

György Gombosi, Moretto da Brescia (Ars Docta, IV), Basel 1943, S. 115, Kat. 193

P. Pallucchini, Veneti alle mostre svizzere, in: Arte veneta, 2, Nr. 5-8 1948, S. 167

Bernard Berenson, Italian pictures of the Renaissance. A list of the principal artists and their works with an index of places. Central Italian and North Italian Schools, III Bde., London 1968, S. 279

Pier Virgilio Begni Redona, Alessandro Bonvicino. Il Moretto da Brescia, Brescia 1988, S. 377, Kat. 88

Michaela Herrmann, Ausst.-Kat. Fünf Jahrhunderte italienische Kunst aus den Sammlungen des Fürsten von Liechtenstein, Vaduz 1994, S. 46-47 u. 150-151, Kat. 16

Johann Kräftner, Andrea Stockhammer, Liechtenstein Museum Wien. Le Collezioni, München 2004, S. 133, Abb. S. 116, Kat. IV.17

Johann Kräftner, Andrea Stockhammer, Liechtenstein Museum Vienna. The Collections, Johann Kräftner (Hg.), München–Berlin–London–New York 2004, S. 133, Abb. S. 116, Kat. IV.17

Johann Kräftner, Andrea Stockhammer, Liechtenstein Museum Wien. Die Sammlungen, Johann Kräftner (Hg.), München–Berlin–London–New York 2004, S. 133, Abb. S. 116, Kat. IV.17

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